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Reductionism in Art and Brain Science：Bridging the Two Cultures

Reductionism in Art and Brain Science：Bridging the Two Cultures

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作者: Eric Kandel 著

出版社: Columbia University Press

出版时间: 2016-08

ISBN: 9780231179621

定价: 332.40

装帧: 精装

开本: 其他

纸张: 其他

页数: 224页

正文语种: 英语

分类: 外文古旧书>英文书>自然科学

1人买过

Can science and art find common ground? Are scientific and artistic quests mutually exclusive? In this new book， neuroscientist Eric Kandel， whose interests span the fields of science and art， explores how reductionism—the distillation of larger scientific or aesthetic concepts into smaller， more tractable ideas—has been used by scientists and artists alike to pursue their respective truths. Their common use of reductionist strategies demonstrates how science can inform the way we experience a work of art and seek to understand its meaning. Kandel draws on his Nobel Prize-winning work studying the neurobiological underpinnings of learning and memory in the humble sea slug， whose simple brain helps illuminate the complex workings of higher animal minds. He extends these findings to the complexities of human perception， which uses bottom-up sensory and top-down cognitive functions to perceive the world and to appreciate and understand works of art.At the heart of this book is an elegant elucidation of the pivotal contribution of reductionism to modern art's extraordinary evolution and to its role in a monumental shift in artistic perspective. Reductionism was a driving force in the transition from figurative art to the first explorations of abstract art in the works of Turner， Monet， Kandinsky， Schoenberg， and Mondrian. Kandel explains how the New York School of Pollock， de Kooning， Rothko， Louis， Turrell， and Flavin arrived at their particular forms of abstract expressionism in the postwar era， and concludes with Katz， Warhol， Close， and Sandback， who built upon the advances of the New York School to reimagine figurative and minimal art. Featuring captivating drawings of the brain alongside full-color reproductions of modern art masterpieces， this book brings science and art into closer relation. Eric R. Kandel is University Professor and Kavli Professor in the Departments of Neuroscience, Biochemistry and Molecular Biophysics and Psychiatry at Columbia University. He is director of the Kavli Institute for Brain Science at Columbia and codirector of the Mortimer B. Zuckerman Mind Brain Behavior Institute. In 2000, he was awarded the Nobel Prize in Physiology or Medicine. He has written extensively on the biology of learning and memory, psychiatry, and art, and is coeditor of the textbook Principles of Neural Science. His recent books include The Age of Insight: The Quest to Understand the Unconscious in Art, Mind, and Brain, from Vienna 1900 to the Present (2012) and In Search of Memory: The Emergence of a New Science of Mind (2007).,,
内容简介:
Can science and art find common ground? Are scientific and artistic quests mutually exclusive? In this new book， neuroscientist Eric Kandel， whose interests span the fields of science and art， explores how reductionism—the distillation of larger scientific or aesthetic concepts into smaller， more tractable ideas—has been used by scientists and artists alike to pursue their respective truths. Their common use of reductionist strategies demonstrates how science can inform the way we experience a work of art and seek to understand its meaning. Kandel draws on his Nobel Prize-winning work studying the neurobiological underpinnings of learning and memory in the humble sea slug， whose simple brain helps illuminate the complex workings of higher animal minds. He extends these findings to the complexities of human perception， which uses bottom-up sensory and top-down cognitive functions to perceive the world and to appreciate and understand works of art.At the heart of this book is an elegant elucidation of the pivotal contribution of reductionism to modern art's extraordinary evolution and to its role in a monumental shift in artistic perspective. Reductionism was a driving force in the transition from figurative art to the first explorations of abstract art in the works of Turner， Monet， Kandinsky， Schoenberg， and Mondrian. Kandel explains how the New York School of Pollock， de Kooning， Rothko， Louis， Turrell， and Flavin arrived at their particular forms of abstract expressionism in the postwar era， and concludes with Katz， Warhol， Close， and Sandback， who built upon the advances of the New York School to reimagine figurative and minimal art. Featuring captivating drawings of the brain alongside full-color reproductions of modern art masterpieces， this book brings science and art into closer relation.
作者简介:
Eric R. Kandel is University Professor and Kavli Professor in the Departments of Neuroscience, Biochemistry and Molecular Biophysics and Psychiatry at Columbia University. He is director of the Kavli Institute for Brain Science at Columbia and codirector of the Mortimer B. Zuckerman Mind Brain Behavior Institute. In 2000, he was awarded the Nobel Prize in Physiology or Medicine. He has written extensively on the biology of learning and memory, psychiatry, and art, and is coeditor of the textbook Principles of Neural Science. His recent books include The Age of Insight: The Quest to Understand the Unconscious in Art, Mind, and Brain, from Vienna 1900 to the Present (2012) and In Search of Memory: The Emergence of a New Science of Mind (2007).,,

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