Richard Deacon理查德·迪肯

作者: Jon Thompson 著

出版社: Phaidon Press

出版时间: 2000-06

ISBN: 9780714839493

定价: 517.50

装帧: 平装

页数: 212页

正文语种: 英语

分类: 外文古旧书>英文书>艺术

Awarded the Turner Prize in 1987, Richard Deacon (b.1949) has occupied the foreground of British sculpture since the early 1980s This new edition is updated to include over 50 additional pages documenting the artist's work since 1995His virtuoso constructions in wood, metal and plastic loop and curve across space like three-dimensional drawings, or hover on the floor like drops of liquid. Jon Thompson is a British artist, teacher, writer and curator. He was Head of Fine Arts at Goldsmith's College, London (1970-92) and is currently Head of Fine Art Studies at the Jan Van Eyck Academy in Maastricht, Netherlands. He co-curated with Greg Hilty the exhibition 'Gravity and Grace: The Changing Condition of Sculpture' in 1993 at the Hayward Gallery, London. Pier Luigi Tazzi is an art critic and curator based in Florence. Formerly a lecturer at the University of Florence (1976-89), he has contributed to such art journals as Artforum, Museumjournaal and Wolkenkratzer. Tazzi was among the curators of the 42nd Venice Biennale (1988) and was Associate Director of Documenta 9 (1992). Peter Schjeldahl is Art Critic for the New Yorker. Scheldjahl has also written for Artforum, Parkett, Art News, Frieze and Art Press. His books include The Hydrogen Jukebox: Selected Writings 1978-1990 (1991) and Columns & Catalogues (1994) as well as five books of poetry; his writings have also appeared in the three editions of Art of Our Time: The Saatchi Collection. Penelope Curtis is Head of Programmes at the Henry Moore Institute, Leeds, where she has organized historical contextualizing exhibitions of the work of distinguished late twentieth-century sculptors such as Giuseppe Penone and Michelangelo Pistoletto, as well as exhibitions, commissions and special projects with younger generation sculptors.
内容简介:
Awarded the Turner Prize in 1987, Richard Deacon (b.1949) has occupied the foreground of British sculpture since the early 1980s This new edition is updated to include over 50 additional pages documenting the artist's work since 1995His virtuoso constructions in wood, metal and plastic loop and curve across space like three-dimensional drawings, or hover on the floor like drops of liquid. Jon Thompson is a British artist, teacher, writer and curator. He was Head of Fine Arts at Goldsmith's College, London (1970-92) and is currently Head of Fine Art Studies at the Jan Van Eyck Academy in Maastricht, Netherlands. He co-curated with Greg Hilty the exhibition 'Gravity and Grace: The Changing Condition of Sculpture' in 1993 at the Hayward Gallery, London. Pier Luigi Tazzi is an art critic and curator based in Florence. Formerly a lecturer at the University of Florence (1976-89), he has contributed to such art journals as Artforum, Museumjournaal and Wolkenkratzer. Tazzi was among the curators of the 42nd Venice Biennale (1988) and was Associate Director of Documenta 9 (1992). Peter Schjeldahl is Art Critic for the New Yorker. Scheldjahl has also written for Artforum, Parkett, Art News, Frieze and Art Press. His books include The Hydrogen Jukebox: Selected Writings 1978-1990 (1991) and Columns & Catalogues (1994) as well as five books of poetry; his writings have also appeared in the three editions of Art of Our Time: The Saatchi Collection. Penelope Curtis is Head of Programmes at the Henry Moore Institute, Leeds, where she has organized historical contextualizing exhibitions of the work of distinguished late twentieth-century sculptors such as Giuseppe Penone and Michelangelo Pistoletto, as well as exhibitions, commissions and special projects with younger generation sculptors.

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Richard Deacon理查德·迪肯

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