Four Major Plays Volume 1

Four Major Plays Volume 1
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作者: (亨利克·易卜生)
出版社: Penguin
2006-06
版次: 1
ISBN: 9780451530226
定价: 20.00
装帧: 平装
开本: 32开
纸张: 胶版纸
页数: 400页
正文语种: 英语
丛书: Signet Classics
11人买过
  • Thegreatestworksbythefatherofmoderntheater.



    Brilliantlyexemplifyinghislandmarkcontributiontothetheater,ADollHouse,TheWildDuck,HeddaGabler,andTheMasterBuilderaretrulythegreatestandbestknownworksofHenrikIbsen.


    Henrik Ibsen (Norwegian pronunciation; 20 March 1828 – 23 May 1906) was a major 19th-century Norwegian playwright, theatre director, and poet. He is often referred to as "the father of prose drama" and is one of the founders of Modernism in the theatre.[1] His major works include Brand, Peer Gynt, An Enemy of the People, Emperor and Galilean, A Doll's House, Hedda Gabler, Ghosts, The Wild Duck, and Rosmersholm.



    Several of his plays were considered scandalous to many of his era, when European theater was required to model strict mores of family life and propriety. Ibsen's work examined the realities that lay behind many façades, revealing much that was disquieting to many contemporaries. It utilized a critical eye and free inquiry into the conditions of life and issues of morality. The poetic and cinematic play Peer Gynt, however, has strong surreal elements.



    Ibsen is often ranked as one of the truly great playwrights in the European tradition.[3] Richard Hornby describes him as "a profound poetic dramatist—the best since Shakespeare". He influenced other playwrights and novelists such as George Bernard Shaw, Oscar Wilde, James Joyce, and Eugene O'Neill. Many critics consider him the greatest playwright since Shakespeare.



    Although most of his plays are set in Norway—often in places reminiscent of Skien, the port town where he grew up—Ibsen lived for 27 years in Italy and Germany, and rarely visited Norway during his most productive years.



     亨利克·约翰·易卜生(挪威语:Henrik Johan Ibsen,1828年3月20日-1906年5月23日),生于挪威希恩,是一位影响深远的挪威剧作家,被认为是现代现实主义戏剧的创始人。
    Foreword

    Selected bibliography

    A DoLL HOUSE

    THE WILD DUCK

    HEDDA GABLER

    THE MASTER BUILDER

    Afterword
  • 内容简介:
    Thegreatestworksbythefatherofmoderntheater.



    Brilliantlyexemplifyinghislandmarkcontributiontothetheater,ADollHouse,TheWildDuck,HeddaGabler,andTheMasterBuilderaretrulythegreatestandbestknownworksofHenrikIbsen.


  • 作者简介:
    Henrik Ibsen (Norwegian pronunciation; 20 March 1828 – 23 May 1906) was a major 19th-century Norwegian playwright, theatre director, and poet. He is often referred to as "the father of prose drama" and is one of the founders of Modernism in the theatre.[1] His major works include Brand, Peer Gynt, An Enemy of the People, Emperor and Galilean, A Doll's House, Hedda Gabler, Ghosts, The Wild Duck, and Rosmersholm.



    Several of his plays were considered scandalous to many of his era, when European theater was required to model strict mores of family life and propriety. Ibsen's work examined the realities that lay behind many façades, revealing much that was disquieting to many contemporaries. It utilized a critical eye and free inquiry into the conditions of life and issues of morality. The poetic and cinematic play Peer Gynt, however, has strong surreal elements.



    Ibsen is often ranked as one of the truly great playwrights in the European tradition.[3] Richard Hornby describes him as "a profound poetic dramatist—the best since Shakespeare". He influenced other playwrights and novelists such as George Bernard Shaw, Oscar Wilde, James Joyce, and Eugene O'Neill. Many critics consider him the greatest playwright since Shakespeare.



    Although most of his plays are set in Norway—often in places reminiscent of Skien, the port town where he grew up—Ibsen lived for 27 years in Italy and Germany, and rarely visited Norway during his most productive years.



     亨利克·约翰·易卜生(挪威语:Henrik Johan Ibsen,1828年3月20日-1906年5月23日),生于挪威希恩,是一位影响深远的挪威剧作家,被认为是现代现实主义戏剧的创始人。
  • 目录:
    Foreword

    Selected bibliography

    A DoLL HOUSE

    THE WILD DUCK

    HEDDA GABLER

    THE MASTER BUILDER

    Afterword
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