中华之美丛书：中国文学（英）
出版时间:
2018-08
版次:
1
ISBN:
9787508540245
定价:
160.00
装帧:
精装
开本:
16开
页数:
236页
字数:
100千字
正文语种:
英语
3人买过
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“中华之美”丛书围绕中华优秀传统文化这一主题，择取其中15个专题分别加以介绍。这15个专题，包括以思想、智慧、艺术为主的“无形遗产”，以工艺、器物为主的“有形遗产”，以衣食住行乐为主的“民俗生活”，它们精心构架，有机结合，勾勒出中国文化的一个总体面貌，并反映出“中华文化的理念、智慧、气度、神韵”。
中国文学的历史至少可以追溯到3000多年前。它包括一脉相承、绵延至20世纪初叶的古代文学，也包括20世纪以来在文学观念、内容、语言诸方面已经发生全方位转型的现当代文学。
本书简要介绍了中国文学从古至今数千年的发展历程，并以重点作家作品为中心，帮助读者朋友去感受中国文学的美，并通过文学的视角，去了解文学所关照的中国人的生存状况和内在精神世界。
The history of Chinese literature can be traced to more than 3,000 years ago at least. It includes ancient literature before the early 20th century traceable to the same origin and modern and contemporary literature since the 20th century with fully changed literary concepts, contents and language.
This book briefly introduces the course of Chinese literature’s development in the past thousands of years and focuses on key writers’ works to help readers feel the beauty of Chinese literature and learn about the existence and mental world of Chinese people in literary works. 李春雨，文学博士，北京语言大学教授、硕士生导师，主要从事中国现当代文学与文化、汉语国际教育方面的教学和研究。近年来，先后在国内社科核心期刊发表学术论文40余篇，并参与或主持完成多个省部级研究课题。代表性论著有《出版文化与中国文学的现代转型》《北京文化的异域审视》《中国现代文学资料与研究》《曹禺评说七十年》《心灵的憩园——走进巴金的 》等。2009—2010年，赴美国西点军校外语系任教，并在日本、新加坡及台湾、香港和澳门等国家和地区进行文化交流。
Li Chunyu, Ph.D., is a professor and M.A. supervisor at Beijing Language and Culture University, mainly engaging in teaching and research of Chinese modern and contemporary literature and culture and international Chinese education. In recent years, she published more than 40 academic essays in domestic core social sciences journals and participated in or completed as person in charge several provincial and departmental research projects. Representative works include Modern Transformation of Publishing Culture and Chinese Literature, Beijing Culture Examined from a Foreign Perspective, Chinese Modern Literary Materials and Research, Comments on Cao Yu in 70 Years, Resting Place for Spirit – Approaching Ba Jin’s The Family, etc. Foreword
Overview of the Development of Chinese Ancient Literature
Historical Course of Chinese Ancient Literature
Main Characteristics of Chinese Ancient Literature
Model Essays
Prose of Various Pre-Qin Schools of Thought
Sima Qian and Records of the Grand Historian
Eight Great Prose Masters of the Tang and Song Dynasties
Splendid Poetry
The Book of Songs: The First Collection of Poems
Qu Yuan: Romantic Lyric Poems
Tao Yuanming: A Hermit’s Pastoral Poems
Poet Immortal Li Bai
Poet Sage Du Fu
Bai Juyi and “New Yuefu”
Beautiful Ci Poetry
Su Shi: Creating a New State of Ci Poetry
Li Qingzhao and Graceful and Restrained Ci Poetry
Xin Qiji and Bold and Unconstrained Ci Poetry
Late Maturity of Drama
Great Yuan Drama Writer Guan Hanqing
Romance of the West Chamber, a Never-failing Drama
Tang Xianzu’s Drama Legends
Peak of Novels
Historical Novel Romance of the Three Kingdoms
Heroic Legend Water Margin
Gods and Demons Novel Journey to the West
Ghost Novel Strange Stories from a Chinese Studio
Masterpiece Dream of the Red Chamber
Overview of the Development of Chinese Modern and Contemporary Literature
Historical Course of Chinese Modern and Contemporary Literature
Main Characteristics of Chinese Modern and Contemporary Literature
Modern Novels: Echoes of the Times
Lu Xun: Founder of New Literature
Ba Jin and His “Torrents Trilogy”
Lao She and His Beijing Civil Society
Shen Congwen’s World of West Hunan
Eileen Chang’s Life Legends
Modern Poetry: Looking for Its Own Voice
Guo Moruo: Destruction and Creation
Xu Zhimo: Crescent Moon Poetry
Ai Qing: A Modern Poem Rooted in Earth
Mu Dan: Abundance and the Pain of Abundance
Modern Stage Plays: Transplantation and Development
Cao Yu: Born for Drama
Tian Han: Drama like Life
New Period – New Trends of Poetry
The Rise of “Obscure Poetry”
Bei Dao: A Rational Poet
Gu Cheng: A Fairy Tale Poet
Hai Zi: The Catcher in the Rye
New Period – Diversified Novels
Jia Pingwa and Root-seeking Novels
Yu Hua and Vanguard Novels
Su Tong and New Historical Novels
Mo Yan and Hallucinatory Realism
Concluding Remarks: New Trends of Literature in the New Century
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内容简介:
“中华之美”丛书围绕中华优秀传统文化这一主题，择取其中15个专题分别加以介绍。这15个专题，包括以思想、智慧、艺术为主的“无形遗产”，以工艺、器物为主的“有形遗产”，以衣食住行乐为主的“民俗生活”，它们精心构架，有机结合，勾勒出中国文化的一个总体面貌，并反映出“中华文化的理念、智慧、气度、神韵”。
中国文学的历史至少可以追溯到3000多年前。它包括一脉相承、绵延至20世纪初叶的古代文学，也包括20世纪以来在文学观念、内容、语言诸方面已经发生全方位转型的现当代文学。
本书简要介绍了中国文学从古至今数千年的发展历程，并以重点作家作品为中心，帮助读者朋友去感受中国文学的美，并通过文学的视角，去了解文学所关照的中国人的生存状况和内在精神世界。
The history of Chinese literature can be traced to more than 3,000 years ago at least. It includes ancient literature before the early 20th century traceable to the same origin and modern and contemporary literature since the 20th century with fully changed literary concepts, contents and language.
This book briefly introduces the course of Chinese literature’s development in the past thousands of years and focuses on key writers’ works to help readers feel the beauty of Chinese literature and learn about the existence and mental world of Chinese people in literary works.
-
作者简介:
李春雨，文学博士，北京语言大学教授、硕士生导师，主要从事中国现当代文学与文化、汉语国际教育方面的教学和研究。近年来，先后在国内社科核心期刊发表学术论文40余篇，并参与或主持完成多个省部级研究课题。代表性论著有《出版文化与中国文学的现代转型》《北京文化的异域审视》《中国现代文学资料与研究》《曹禺评说七十年》《心灵的憩园——走进巴金的 》等。2009—2010年，赴美国西点军校外语系任教，并在日本、新加坡及台湾、香港和澳门等国家和地区进行文化交流。
Li Chunyu, Ph.D., is a professor and M.A. supervisor at Beijing Language and Culture University, mainly engaging in teaching and research of Chinese modern and contemporary literature and culture and international Chinese education. In recent years, she published more than 40 academic essays in domestic core social sciences journals and participated in or completed as person in charge several provincial and departmental research projects. Representative works include Modern Transformation of Publishing Culture and Chinese Literature, Beijing Culture Examined from a Foreign Perspective, Chinese Modern Literary Materials and Research, Comments on Cao Yu in 70 Years, Resting Place for Spirit – Approaching Ba Jin’s The Family, etc.
-
目录:
Foreword
Overview of the Development of Chinese Ancient Literature
Historical Course of Chinese Ancient Literature
Main Characteristics of Chinese Ancient Literature
Model Essays
Prose of Various Pre-Qin Schools of Thought
Sima Qian and Records of the Grand Historian
Eight Great Prose Masters of the Tang and Song Dynasties
Splendid Poetry
The Book of Songs: The First Collection of Poems
Qu Yuan: Romantic Lyric Poems
Tao Yuanming: A Hermit’s Pastoral Poems
Poet Immortal Li Bai
Poet Sage Du Fu
Bai Juyi and “New Yuefu”
Beautiful Ci Poetry
Su Shi: Creating a New State of Ci Poetry
Li Qingzhao and Graceful and Restrained Ci Poetry
Xin Qiji and Bold and Unconstrained Ci Poetry
Late Maturity of Drama
Great Yuan Drama Writer Guan Hanqing
Romance of the West Chamber, a Never-failing Drama
Tang Xianzu’s Drama Legends
Peak of Novels
Historical Novel Romance of the Three Kingdoms
Heroic Legend Water Margin
Gods and Demons Novel Journey to the West
Ghost Novel Strange Stories from a Chinese Studio
Masterpiece Dream of the Red Chamber
Overview of the Development of Chinese Modern and Contemporary Literature
Historical Course of Chinese Modern and Contemporary Literature
Main Characteristics of Chinese Modern and Contemporary Literature
Modern Novels: Echoes of the Times
Lu Xun: Founder of New Literature
Ba Jin and His “Torrents Trilogy”
Lao She and His Beijing Civil Society
Shen Congwen’s World of West Hunan
Eileen Chang’s Life Legends
Modern Poetry: Looking for Its Own Voice
Guo Moruo: Destruction and Creation
Xu Zhimo: Crescent Moon Poetry
Ai Qing: A Modern Poem Rooted in Earth
Mu Dan: Abundance and the Pain of Abundance
Modern Stage Plays: Transplantation and Development
Cao Yu: Born for Drama
Tian Han: Drama like Life
New Period – New Trends of Poetry
The Rise of “Obscure Poetry”
Bei Dao: A Rational Poet
Gu Cheng: A Fairy Tale Poet
Hai Zi: The Catcher in the Rye
New Period – Diversified Novels
Jia Pingwa and Root-seeking Novels
Yu Hua and Vanguard Novels
Su Tong and New Historical Novels
Mo Yan and Hallucinatory Realism
Concluding Remarks: New Trends of Literature in the New Century
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