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塞尚与毕沙罗 Cezanne & Pissarro

塞尚与毕沙罗 Cezanne & Pissarro

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作者: Joachim Pissarro 著

出版社: Oversea Publishing House

出版时间: 2007-03

版次: 1

ISBN: 9780870701856

定价: 380.00

装帧: 平装

开本: 8开

纸张: 铜版纸

页数: 256页

分类: 外文古旧书>英文书>历史

4人买过

From the mid-1860s to the mid-1880s two artistic legends, Paul Cezanne and Camille Pissarro, executed numerous paintings side by side as they worked in Pontoise and Auvers. This book was published in conjunction with an exhibition of 74 paintings and 8 drawings that embody the core of the two artists' collaboration and explores their artistic relationship in detail. The artists' dynamic interaction began with their first meeting at the Academie Suisse, Paris, circa 1861, and continued through much of their careers. To examine the techniques that Cezanne and Pissarro each adopted in response to the other's work, the exhibition and book juxtapose related works by both artists, reuniting many of them for the first time since their creation. The friendship between Cezanne and Pissarro was of considerable importance within the development of early Modernism. An essay by Joachim Pissarro discusses this fascinating interchange and offers new insights into both the shared and the distinctive elements of the two artists' aesthetic sensibility. Foreword

Acknowledgments

Pioneering Modern Painting

  Still Modern?

  Origins-Two Foreigners-The Formation of a New Language in Painting

  Dialogues in Word and Paint

  Reviewing the Past and Facing the End

  Impressionism, Post-Impressionism-It's all Modern Painting

Plates

  "Setting the Louvre on Fire: Radical Technique and Ideology in Early Works

  Reciprocal Gazes: Portraits and Self-Portraits

  Portraits on Paper: Drawings

  Louveciennes/Louveciennes: "To Each His Own Sensation"

  Still Lifes of the 1870s: A Classic Genre "Improperly" Painted

  Building with Paint: Houses and Village Streets in Auvers-sur-Oise and Pontoise

  A Turning Road: Experiments with Composition and the Palette Knife in 1875

  Separate Paths Through a Shared Landscape: The Late 1870s and the Third Impressionist Exhibition

  Contrasts in Pure Colors: L'Estaque and Pontoise

  A Backward Glance: Cezanne Reconsiders Pissarro's Early Work

  Salut and Farewell: A Final Interaction

Notes

Bibliography

Comparative Chronology

Index

Photograph Credits

Lenders to the Exhibition

Trustees of The Museum of'Modern Art
内容简介:
From the mid-1860s to the mid-1880s two artistic legends, Paul Cezanne and Camille Pissarro, executed numerous paintings side by side as they worked in Pontoise and Auvers. This book was published in conjunction with an exhibition of 74 paintings and 8 drawings that embody the core of the two artists' collaboration and explores their artistic relationship in detail. The artists' dynamic interaction began with their first meeting at the Academie Suisse, Paris, circa 1861, and continued through much of their careers. To examine the techniques that Cezanne and Pissarro each adopted in response to the other's work, the exhibition and book juxtapose related works by both artists, reuniting many of them for the first time since their creation. The friendship between Cezanne and Pissarro was of considerable importance within the development of early Modernism. An essay by Joachim Pissarro discusses this fascinating interchange and offers new insights into both the shared and the distinctive elements of the two artists' aesthetic sensibility.
目录:
Foreword

Acknowledgments

Pioneering Modern Painting

  Still Modern?

  Origins-Two Foreigners-The Formation of a New Language in Painting

  Dialogues in Word and Paint

  Reviewing the Past and Facing the End

  Impressionism, Post-Impressionism-It's all Modern Painting

Plates

  "Setting the Louvre on Fire: Radical Technique and Ideology in Early Works

  Reciprocal Gazes: Portraits and Self-Portraits

  Portraits on Paper: Drawings

  Louveciennes/Louveciennes: "To Each His Own Sensation"

  Still Lifes of the 1870s: A Classic Genre "Improperly" Painted

  Building with Paint: Houses and Village Streets in Auvers-sur-Oise and Pontoise

  A Turning Road: Experiments with Composition and the Palette Knife in 1875

  Separate Paths Through a Shared Landscape: The Late 1870s and the Third Impressionist Exhibition

  Contrasts in Pure Colors: L'Estaque and Pontoise

  A Backward Glance: Cezanne Reconsiders Pissarro's Early Work

  Salut and Farewell: A Final Interaction

Notes

Bibliography

Comparative Chronology

Index

Photograph Credits

Lenders to the Exhibition

Trustees of The Museum of'Modern Art

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