Modern Archaics:Continuity and Innovation in the Chinese Lyric Tradition, 1900-1937

Modern Archaics:Continuity and Innovation in the Chinese Lyric Tradition, 1900-1937
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作者:
2013-10
ISBN: 9780674726673
装帧: 精装
开本: 其他
纸张: 其他
  • After the collapse of the Qing dynasty in 1911 and the rise of a vernacular language movement, most scholars and writers declared the classical Chinese poetic tradition to be dead. But how could a longstanding high poetic form simply grind to a halt, even Shengqing Wu is Associate Professor of East Asian Languages and Literatures at Wesleyan University. List of Illustrations
    Acknowledgments
    Introduction: Ornamental Lyricism
    Part I  A formal feeling comes: poetry of mourning
    1  Falling Leaves and Grieving Cicadas: Allegory
and the Experience of Loss in Song Lyrics
    2  Radical Antiquarianism: Chen Sanli’s
Poetic Response to Cultural Crisis
    Part II  The lure of intellectual elegance: poetry as social practice
    3  Contested Fengya: Loyalists and Classical
Poetry Clubs
    4  A Lonely Enterprise: Classical Poetry
and New Means of Cultural Production
    Part III  Lighting the modern torch with ancient fire: traveling poetics
    5  Re-Feminizing Modern Space: Lü Bicheng
and Her Overseas Lyrics
    6  “O My Love is Like A Red Red Rose”: Classical
Form and Translation
    Epilogue: Translations of Tradition
    Bibliography
    Index
  • 内容简介:
    After the collapse of the Qing dynasty in 1911 and the rise of a vernacular language movement, most scholars and writers declared the classical Chinese poetic tradition to be dead. But how could a longstanding high poetic form simply grind to a halt, even
  • 作者简介:
    Shengqing Wu is Associate Professor of East Asian Languages and Literatures at Wesleyan University.
  • 目录:
    List of Illustrations
    Acknowledgments
    Introduction: Ornamental Lyricism
    Part I  A formal feeling comes: poetry of mourning
    1  Falling Leaves and Grieving Cicadas: Allegory
and the Experience of Loss in Song Lyrics
    2  Radical Antiquarianism: Chen Sanli’s
Poetic Response to Cultural Crisis
    Part II  The lure of intellectual elegance: poetry as social practice
    3  Contested Fengya: Loyalists and Classical
Poetry Clubs
    4  A Lonely Enterprise: Classical Poetry
and New Means of Cultural Production
    Part III  Lighting the modern torch with ancient fire: traveling poetics
    5  Re-Feminizing Modern Space: Lü Bicheng
and Her Overseas Lyrics
    6  “O My Love is Like A Red Red Rose”: Classical
Form and Translation
    Epilogue: Translations of Tradition
    Bibliography
    Index
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