瓦尔堡选集（文艺复兴经典书系）

作者: [德] 阿比·瓦尔堡著吴琼徐晶译

出版社: 四川人民出版社

出版时间: 2023-02

版次: 1

ISBN: 9787220129681

定价: 128.00

装帧: 其他

开本: 16开

纸张: 胶版纸

分类: 艺术

17人买过

本书是关于瓦尔堡的译作。阿比•瓦尔堡是20世纪卓越的美术史家和文化史家，他生前发表的著述并不多，其作品主要是1933年出版的《文集》，但这个《文集》流传甚少。直到20世纪末，西方出现瓦尔堡复兴，其作品再次受到关注，《文集》才被翻译成英文。英文版《文集》体量巨大，本书去粗取精，收录瓦尔堡著作中较有价值、较为重要的学术成果，同时收录了一些英文版《文集》尚未收入的作品。作者阿比•瓦尔堡，德国20世纪最伟大的艺术史家，现代图像学创始人，其对图像学和文化史的贡献需要重新加以认识与重视。译者吴琼，中国人民大学哲学院教授、美学教研室主任，译有《西方的没落》等作品。【目录】

译者前言··············································································································· 001

桑德罗·波提切利的《维纳斯诞生》和《春》：意大利文艺复兴早期古风观念考（1893）························································································································027

桑德罗·波提切利（1898）·················································································097

1589年幕间剧的舞台服装：贝尔纳多·波塔伦蒂的设计和艾米里奥·德·卡瓦利埃里的账本（1895）·············································································································103

佛罗伦萨早期版画中“爱的纹章”（1905）······················································160

肖像艺术与佛罗伦萨中产阶级——多米尼科·基朗达约在圣三一教堂：洛伦佐·德·美第奇及其家人的肖像（1902）·······················································································172

弗朗切斯科·萨塞蒂给儿子们的遗言（1907）···················································210

弗莱芒艺术与佛罗伦萨早期文艺复兴（1902）···················································252

15世纪南北方的艺术交流（1905）······································································271

丢勒与意大利古风（1905）···················································································276

费拉拉无忧宫的意大利艺术与国际占星学（1912）············································281

路德时代词与像中的异教—古代预言（1920）····················································303
内容简介:
本书是关于瓦尔堡的译作。阿比•瓦尔堡是20世纪卓越的美术史家和文化史家，他生前发表的著述并不多，其作品主要是1933年出版的《文集》，但这个《文集》流传甚少。直到20世纪末，西方出现瓦尔堡复兴，其作品再次受到关注，《文集》才被翻译成英文。英文版《文集》体量巨大，本书去粗取精，收录瓦尔堡著作中较有价值、较为重要的学术成果，同时收录了一些英文版《文集》尚未收入的作品。
作者简介:
作者阿比•瓦尔堡，德国20世纪最伟大的艺术史家，现代图像学创始人，其对图像学和文化史的贡献需要重新加以认识与重视。译者吴琼，中国人民大学哲学院教授、美学教研室主任，译有《西方的没落》等作品。
目录:
【目录】

译者前言··············································································································· 001

桑德罗·波提切利的《维纳斯诞生》和《春》：意大利文艺复兴早期古风观念考（1893）························································································································027

桑德罗·波提切利（1898）·················································································097

1589年幕间剧的舞台服装：贝尔纳多·波塔伦蒂的设计和艾米里奥·德·卡瓦利埃里的账本（1895）·············································································································103

佛罗伦萨早期版画中“爱的纹章”（1905）······················································160

肖像艺术与佛罗伦萨中产阶级——多米尼科·基朗达约在圣三一教堂：洛伦佐·德·美第奇及其家人的肖像（1902）·······················································································172

弗朗切斯科·萨塞蒂给儿子们的遗言（1907）···················································210

弗莱芒艺术与佛罗伦萨早期文艺复兴（1902）···················································252

15世纪南北方的艺术交流（1905）······································································271

丢勒与意大利古风（1905）···················································································276

费拉拉无忧宫的意大利艺术与国际占星学（1912）············································281

路德时代词与像中的异教—古代预言（1920）····················································303

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瓦尔堡选集（文艺复兴经典书系）

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