Team Rodent

Team Rodent

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作者: Carl Hiaasen （卡尔·希尔森）著

出版社: Random House US

出版时间: 1998-05

版次: 1

ISBN: 9780345422804

定价: 74.40

装帧: 平装

开本: 16开

纸张: 胶版纸

页数: 96页

正文语种: 英语

分类: 外文古旧书>英文书>管理

Revulsion is good. Revulsion is healthy. Each of us has limits, unarticulated boundaries of taste and tolerance, and sometimes we forget where they are. Peep Land is here to remind us; a fixed compass point by which we can govern our private behavior. Because being grossed out is essential to the human experience; without a perceived depravity, we'd have nothing against which to gauge the advance or decline of culture; our art, our music, our cinema, our books. Without sleaze, the yardstick shrinks at both ends. Team Rodent doesn't believe in sleaze, however, nor in old-fashioned revulsion. Square in the middle is where it wants us all to be, dependable consumers with predictable attitudes. The message, never stated but avuncularly implied, is that America's values ought to reflect those of the Walt Disney Company, and not the other way around. When one thinks of the classics of pulp fiction, certain things -- gruff, amoral antiheroes, unflinching nihilism, and a certain melodramatic self-seriousness -- inevitably come to mind. However, the novels of Carl Hiaasen completely challenge these pulpy conventions. While the pulp of yesteryear seems forever chiseled in an almost quaint black and white world, Hiaasen's books vibrate with vivid color. They are veritable playgrounds for wild characters that flout clichés: a roadkill-eating ex-governor, a bouncer/assassin who takes care of business with a Weed Wacker, a failed alligator wrestler named Sammy Tigertail. Furthermore, Hiaasen infuses his absurdist stories with a powerful dose of social and political awareness, focusing on his home turf of South Florida with an unflinching keenness.

Hiaasen was born and raised in South Florida. During the 1970s, he got his start as a writer working for Cocoa Today as a public interest columnist. However, it was his gig as an investigative reporter for The Miami Herald that provided him with the fundamentals necessary for a career in fiction. "I'd always wanted to write books ever since I was a kid," Hiaasen told Barnes & Noble.com. "To me, the newspaper business was a way to learn about life and how things worked in the real world and how people spoke. You learn all the skills -- you learn to listen, you learn to take notes -- everything you use later as a novelist was valuable training in the newspaper world. But I always wanted to write novels."

Hiaasen made the transition from journalism to fiction in 1981 with the help of fellow reporter Bill Montalbano. Hiaasen and Montalbano drew upon all they had learned while covering the Miami beat in their debut novel Powder Burn, a sharp thriller about the legendary Miami cocaine trade, which the New York Times declared an "expertly plotted novel." The team followed up their debut with two more collaborative works before Hiaasen ventured out on his own with Tourist Season, an offbeat murder mystery that showcased the author's idiosyncratic sense of humor.

From then on, Hiaasen's sensibility has grown only more comically absurd and more socially pointed, with a particular emphasis on the environmental exploitation of his beloved home state. In addition to his irreverent and howlingly funny thrillers (Double Whammy, Sick Puppy, Nature Girl, etc), he has released collections of his newspaper columns (Kick Ass, Paradise Screwed) and penned children's books (Hoot, Flush). With his unique blend of comedy and righteousness ("I can't be funny without being angry."), the writer continues to view hallowed Florida institutions -- from tourism to real estate development -- with a decidedly jaundiced eye. As Kirkus Reviews has wryly observed, Hiassen depicts "...the Sunshine State as the weirdest place this side of Oz."
内容简介:
Revulsion is good. Revulsion is healthy. Each of us has limits, unarticulated boundaries of taste and tolerance, and sometimes we forget where they are. Peep Land is here to remind us; a fixed compass point by which we can govern our private behavior. Because being grossed out is essential to the human experience; without a perceived depravity, we'd have nothing against which to gauge the advance or decline of culture; our art, our music, our cinema, our books. Without sleaze, the yardstick shrinks at both ends. Team Rodent doesn't believe in sleaze, however, nor in old-fashioned revulsion. Square in the middle is where it wants us all to be, dependable consumers with predictable attitudes. The message, never stated but avuncularly implied, is that America's values ought to reflect those of the Walt Disney Company, and not the other way around.
作者简介:
When one thinks of the classics of pulp fiction, certain things -- gruff, amoral antiheroes, unflinching nihilism, and a certain melodramatic self-seriousness -- inevitably come to mind. However, the novels of Carl Hiaasen completely challenge these pulpy conventions. While the pulp of yesteryear seems forever chiseled in an almost quaint black and white world, Hiaasen's books vibrate with vivid color. They are veritable playgrounds for wild characters that flout clichés: a roadkill-eating ex-governor, a bouncer/assassin who takes care of business with a Weed Wacker, a failed alligator wrestler named Sammy Tigertail. Furthermore, Hiaasen infuses his absurdist stories with a powerful dose of social and political awareness, focusing on his home turf of South Florida with an unflinching keenness.

Hiaasen was born and raised in South Florida. During the 1970s, he got his start as a writer working for Cocoa Today as a public interest columnist. However, it was his gig as an investigative reporter for The Miami Herald that provided him with the fundamentals necessary for a career in fiction. "I'd always wanted to write books ever since I was a kid," Hiaasen told Barnes & Noble.com. "To me, the newspaper business was a way to learn about life and how things worked in the real world and how people spoke. You learn all the skills -- you learn to listen, you learn to take notes -- everything you use later as a novelist was valuable training in the newspaper world. But I always wanted to write novels."

Hiaasen made the transition from journalism to fiction in 1981 with the help of fellow reporter Bill Montalbano. Hiaasen and Montalbano drew upon all they had learned while covering the Miami beat in their debut novel Powder Burn, a sharp thriller about the legendary Miami cocaine trade, which the New York Times declared an "expertly plotted novel." The team followed up their debut with two more collaborative works before Hiaasen ventured out on his own with Tourist Season, an offbeat murder mystery that showcased the author's idiosyncratic sense of humor.

From then on, Hiaasen's sensibility has grown only more comically absurd and more socially pointed, with a particular emphasis on the environmental exploitation of his beloved home state. In addition to his irreverent and howlingly funny thrillers (Double Whammy, Sick Puppy, Nature Girl, etc), he has released collections of his newspaper columns (Kick Ass, Paradise Screwed) and penned children's books (Hoot, Flush). With his unique blend of comedy and righteousness ("I can't be funny without being angry."), the writer continues to view hallowed Florida institutions -- from tourism to real estate development -- with a decidedly jaundiced eye. As Kirkus Reviews has wryly observed, Hiassen depicts "...the Sunshine State as the weirdest place this side of Oz."

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