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The Big Heat 伟大的警察

The Big Heat 伟大的警察

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作者: Colin McArthur （柯林·麦克阿瑟）著

出版社: Palgrave Macmillan

出版时间: 1992-11

ISBN: 9780851703428

定价: 150.90

装帧: 平装

页数: 80页

正文语种: 英语

丛书: BFI Film Classics

分类: 外文古旧书>英文书>艺术

The Big Heat first appeared in 1953, towards the end of the film noir cycle that had begun in the early '40s. It was greeted in the United States and Britain as a successful but modest product of the Hollywood system, "slickly written and directed" in the words of one critic. Only the extreme violence, as in the infamous scalding coffee scene, was singled out for special mention. Yet by the time the film was reissued in Britain in 1988 it had achieved undisputed classic status.

How had this transformation come about? Colin McArthur takes The Big Heat as a case study in film criticism. He examines the film's changing critical fortunes under the influence of the so called auteur theory, and shows how other intellectual currents led to a reassessment of Lang's work in the 1970s. McArthur provides his own perceptive analysis of the film in the light of these revolutions in film criticism. Colin McArthur's writings include Underworld USA, Television and History, and Scotch Reels. He divides his time between running a picture library in London and directing the centre for Scottish Popular Culture at Queen Margaret College, Edinburgh.
内容简介:
The Big Heat first appeared in 1953, towards the end of the film noir cycle that had begun in the early '40s. It was greeted in the United States and Britain as a successful but modest product of the Hollywood system, "slickly written and directed" in the words of one critic. Only the extreme violence, as in the infamous scalding coffee scene, was singled out for special mention. Yet by the time the film was reissued in Britain in 1988 it had achieved undisputed classic status.

How had this transformation come about? Colin McArthur takes The Big Heat as a case study in film criticism. He examines the film's changing critical fortunes under the influence of the so called auteur theory, and shows how other intellectual currents led to a reassessment of Lang's work in the 1970s. McArthur provides his own perceptive analysis of the film in the light of these revolutions in film criticism.
作者简介:
Colin McArthur's writings include Underworld USA, Television and History, and Scotch Reels. He divides his time between running a picture library in London and directing the centre for Scottish Popular Culture at Queen Margaret College, Edinburgh.

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