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Mona Hatoum莫娜·哈透姆

Mona Hatoum莫娜·哈透姆

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作者: Guy Brett 著

出版社: Phaidon Press

出版时间: 1997-09

ISBN: 9780714836607

定价: 517.50

装帧: 平装

页数: 160页

正文语种: 英语

分类: 外文古旧书>英文书>艺术

Born in Lebanon to Palestinian parents, Mona Hatoum (b.1952) was exiled to London in the 1970s, where she studied art and was later nominated for the prestigious Turner Prize in 1995 Through performance, video, sculpture and installation, she immerses her audiences in emotional states – as they journey through all the orifices of the artist's body or watch her 'drowning' in mud in a glass box Often exquisitely beautiful, Hatoum's works are nonetheless powerful evocations of statelessness, denial and otherness. Guy Brett was the art critic for The Times from 1964 to 1975. His books include Kinetic Art (1968), Through Our Own Eyes: Popular Art and Modern History (1986) and Transcontintental: Nine Latin American Artists (1990). Michael Archer is an art critic and lecturer. He is a regular contributor to Art Monthly, Untitled and Artforum, is the author of Art Since 1960 (1997) and the co-author of Installation Art (1994). He is a Tutor in art history at the Ruskin School of Drawing and Fine Art, University of Oxford, and a Visiting Research Fellow at Chelsea College of Art and Design.Catherine de Zegher is a curator and director of the Kanaal Art Foundation Centre for Contemporary Art.
内容简介:
Born in Lebanon to Palestinian parents, Mona Hatoum (b.1952) was exiled to London in the 1970s, where she studied art and was later nominated for the prestigious Turner Prize in 1995 Through performance, video, sculpture and installation, she immerses her audiences in emotional states – as they journey through all the orifices of the artist's body or watch her 'drowning' in mud in a glass box Often exquisitely beautiful, Hatoum's works are nonetheless powerful evocations of statelessness, denial and otherness. Guy Brett was the art critic for The Times from 1964 to 1975. His books include Kinetic Art (1968), Through Our Own Eyes: Popular Art and Modern History (1986) and Transcontintental: Nine Latin American Artists (1990). Michael Archer is an art critic and lecturer. He is a regular contributor to Art Monthly, Untitled and Artforum, is the author of Art Since 1960 (1997) and the co-author of Installation Art (1994). He is a Tutor in art history at the Ruskin School of Drawing and Fine Art, University of Oxford, and a Visiting Research Fellow at Chelsea College of Art and Design.Catherine de Zegher is a curator and director of the Kanaal Art Foundation Centre for Contemporary Art.

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