domus 1960s

domus 1960s

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作者: Charlotte & Peter Fiell 编者

出版社: Taschen GmbH

出版时间: 2016-09

ISBN: 3836556766 或 9783836556767

定价: 116.20

装帧: 精装

开本: 其他

页数: 933页

正文语种: 多种语言

分类: 外文古旧书>德文书>文学

3 张插图图片

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Founded in 1928 as a "living diary" by the great Milanese architect and designer Gio Ponti, domus has been hailed as the world's most influential architecture and design journal. With both style and rigor, it has offered consistent coverage of major themes and stylistic movements in product, structure, interior, and industrial design. In this fresh reprint of all 1960s issues, the magazine documents the daring, practical, and beautiful projects of a decade of futuristic thrill and booming pop culture. Synthetics and plastics hit the stage, leading to radical new design, while conventional notions of elegance give way to fresh, exploratory forms. For work to be featured in the magazine it had to offer function, spatial clarity, intellectual persuasion, relevant originality, and / or grace. Those projects and practitioners that made the grade include the Anti and Radical Design movements, Ray and Charles Eames, Gae Aulenti, Kenzo Tange, Verner Panton, Achille and Pier Giacomo Castiglioni, Ettore Sottsass, Carlo Scarpa, Angelo Mangiarotti, James Stirling, and Eero Saarinen.
内容简介:
Founded in 1928 as a "living diary" by the great Milanese architect and designer Gio Ponti, domus has been hailed as the world's most influential architecture and design journal. With both style and rigor, it has offered consistent coverage of major themes and stylistic movements in product, structure, interior, and industrial design. In this fresh reprint of all 1960s issues, the magazine documents the daring, practical, and beautiful projects of a decade of futuristic thrill and booming pop culture. Synthetics and plastics hit the stage, leading to radical new design, while conventional notions of elegance give way to fresh, exploratory forms. For work to be featured in the magazine it had to offer function, spatial clarity, intellectual persuasion, relevant originality, and / or grace. Those projects and practitioners that made the grade include the Anti and Radical Design movements, Ray and Charles Eames, Gae Aulenti, Kenzo Tange, Verner Panton, Achille and Pier Giacomo Castiglioni, Ettore Sottsass, Carlo Scarpa, Angelo Mangiarotti, James Stirling, and Eero Saarinen.

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