拍摄者（第3版）用摄像机讲故事

作者: Barry 著 , Braverman 著 , 周令非译

出版社: 人民邮电出版社

出版时间: 2016-10

版次: 01

ISBN: 9787115427250

定价: 109.00

装帧: 平装

开本: 16开

纸张: 其他

页数: 298页

正文语种: 简体中文

丛书: 写给未来的电影人

分类: 艺术

380人买过

《拍摄者》第3版中的新内容如下：
立体拍摄技术：拍摄和制作立体内容的基础知识，以简单集成式立体摄录一体机为主。
数码单反拍摄技术：如何让这种大传感器摄像机在尽可能少的代价下获取到zui好的图像。
后期图像调整，数字滤镜、稳定器。
输出节目为Web或DVD。
思考拍摄者的职业前景——如何鉴别和获取理想的工作，如何与自大狂合作。
问答和复习内容——在每章结束后加入问答和复习内容。
无论你使用的是复杂的4K摄影机、大尺寸传感器数码单反、还是iPhone，《拍摄者》第3版中的内容都会让你受益匪浅，它能帮你把自己的设备性能zui大化，并提升你的故事讲述技巧。作者BARRY BRAVERMAN是一位有着30多年电视纪录片和电影故事片拍摄经验的老牌摄影师。他的作品包括韦斯?安德森的《月升王国》（2012）、《穿越大吉岭》（2007）、国家地理频道的专题片、HBO“抢先看”和CBS星期天早新闻等。他同时也是好莱坞电影摄影师公会会员，并在世界各地举办2D和3D拍摄研讨会。他现在居住在美国加州斯蒂迪奥城。第一章　拍摄者的视角 .......................................................................... 11.1　观点 ...........................................................................................................21.2　不再追逐彩虹 ............................................................................................31.3　学会身兼数职 ............................................................................................41.4　掌握专业技能 ............................................................................................61.5　新观念 .......................................................................................................81.6　现在人人都是拍摄者 ..................................................................................81.7　雇用你的客户 ............................................................................................91.8　你已经拥有足够的能力 ............................................................................10第二章　让我给你讲个故事 .................................................................. 112.1　如何才能把故事讲好？ ............................................................................132.2　清楚自己影片的类型并确保观众们也知道 ...............................................132.3　你的海报什么样？ ...................................................................................152.4　了解自己的海报简述文字 ........................................................................162.5　积极面对条件限制 ...................................................................................172.6　电影成功的原因各异 ................................................................................182.7　你的相对优势 ..........................................................................................182.8　限制你的取景 ..........................................................................................192.9　了解自己摄影机的动态范围 .....................................................................202.10　在魔幻时刻拍摄 .....................................................................................212.11　真实性很重要 ........................................................................................212.12　故事永不停歇 ........................................................................................222.13　职业道德很重要 .....................................................................................23第三章　用镜头讲故事 ....................................................................... 253.1　现在对作品的要求仍然很高 .....................................................................253.2　给世界加个框 ..........................................................................................263.3　排除，排除，排除！ ................................................................................273.4　让观众们受点儿苦 ...................................................................................283.5　独特的视角 ..............................................................................................323.6　模糊、隐藏和遮挡 ...................................................................................333.7　关于透视 ..................................................................................................343.8　箱式梁桥 ..................................................................................................363.9　三分法 .....................................................................................................373.10　黄金画幅比 ............................................................................................393.11　引起不适 ................................................................................................393.12　拍摄的地方是什么类型？ ......................................................................403.13　拥抱经典理论 ........................................................................................413.14　手艺很重要 ............................................................................................433.15　用特写讲故事 ........................................................................................443.16　迂回出击 ................................................................................................463.17　保持拍摄尺寸一致性 ..............................................................................463.18　视线的力量 ............................................................................................473.19　拍摄不完美的对象 .................................................................................483.20　故事里的故事 ........................................................................................493.21　学会用背景讲故事 .................................................................................503.22　我们都是说谎的骗子 ..............................................................................513.23　弄清楚自己想要什么 ..............................................................................523.24　与极端自我的人一起工作 ......................................................................54第四章　摄影师的工具箱 .................................................................... 574.1　你有很多选择 ..........................................................................................574.2　摄像机的变革 ..........................................................................................584.3　扫描方式的选择 .......................................................................................614.4　2K、4K，以及更高的分辨率 ....................................................................634.5　努力突破技术局限 ...................................................................................644.6　了解你需要的知识 ...................................................................................654.7　技术问题当然重要 ...................................................................................664.8　世界的本质 ..............................................................................................664.9　脑中的处理器 ..........................................................................................674.10　让我们体验一下模拟 ..............................................................................674.11　改善数字记录的质量 ..............................................................................684.12　一些小知识 ............................................................................................694.13　10-bit 工作流程 ....................................................................................714.14　你的摄影机符合“10 分钟法则”吗？ ...................................................754.15　了解传感器 ............................................................................................774.16　在某种程度上，传感器尺寸很重要 ........................................................784.17　分辨率的诡计 ........................................................................................794.18　人类感知分辨率的极限 ..........................................................................814.19　这种数字游戏接近尾声了吗？ ...............................................................814.20　网格里的像素 ........................................................................................824.21　三片式传感器VS 单片式传感器 .............................................................834.22　为什么要压缩？ .....................................................................................844.23　出于实际考虑 ........................................................................................854.24　冗余，冗余 ............................................................................................864.25　你不会错过那些你看不见的东西 ............................................................874.26　帧间压缩与帧内压缩 ..............................................................................884.27　选择帧速率 ............................................................................................904.28　为什么帧频有些不靠谱—是24p 但又不是24p ..................................914.29　24p 的种种好处 .....................................................................................934.30　现在你能拍摄24p 了 .............................................................................934.31　如果你依然喜欢SD 标清 .......................................................................954.32　注意了，落伍者们！ ..............................................................................954.33　曾几何时 ................................................................................................96第五章　用数码单反DSLR 讲故事 ...................................................... 995.1　性能的问题 ..............................................................................................995.2　它并不是摄像机 .....................................................................................1005.3　不只是低光照能力 .................................................................................1005.4　负荷削减 ................................................................................................1015.5　参数设置 ................................................................................................1035.6　果冻效应 ................................................................................................1045.7　浅景深：是好事还是坏事？ ...................................................................1055.8　操控方面的挑战 .....................................................................................1065.9　监看与回放 ............................................................................................1075.10　声音功能不健全 ...................................................................................1085.11　开始工作 ..............................................................................................110第六章　观察世界的窗口 ................................................................... 1136.1　控制画面空间 ........................................................................................1146.2　是否需要讨好拍摄对象 ..........................................................................1156.3　把创作工具用到极致 ..............................................................................1156.4　推拉变焦拍摄 ........................................................................................1176.5　警惕可疑的标称值 .................................................................................1186.6　光学变焦VS 数码变焦 ...........................................................................1206.7　更广、更远 ............................................................................................1216.8　低档镜头的现状 .....................................................................................1226.9　为何廉价的镜头看起来档次低？ ............................................................1246.10　对小光孔说不 ......................................................................................1256.11　为什么一体式摄像机通常能拍出更好的画面 ........................................1256.12　色像差补偿 ..........................................................................................1266.13　试着和你的普通镜头和平相处 .............................................................1266.14　找到镜头的最佳性能区间 ....................................................................1276.15　不靠谱的对焦环和变焦环 ....................................................................1296.16　电影镜头 ..............................................................................................1296.17　诱惑力和纠结的根源 ............................................................................1306.18　过大的景深 ..........................................................................................1306.19　镜头适配器 ..........................................................................................132第七章　立体拍摄者 ......................................................................... 1337.1　3D 立体的本质 .......................................................................................1337.2　立体是一种技术障眼法 ..........................................................................1357.3　深度线索 ................................................................................................1367.4　平面视觉深度线索 .................................................................................1377.5　立体视觉深度线索 .................................................................................1397.6　轴距VS 瞳距 .........................................................................................1417.7　汇聚面应该设置在哪儿？ ......................................................................1437.8　立体摄像机设置 .....................................................................................1457.9　避免“耐药性”问题 ..............................................................................1467.10　屏幕尺寸至关重要 ...............................................................................1487.11　正确获得视差 ......................................................................................1497.12　窗口干涉 ..............................................................................................1507.13　关于立体故事的思考 ............................................................................1507.14　圆度因素 ..............................................................................................1517.15　抛弃极端的2D 拍摄方式 .....................................................................1527.16　裸眼立体是大势所趋 ............................................................................1547.17　立体就此止步了吗？ ............................................................................1557.18　立体的后期制作与输出 ........................................................................1567.19　立体再次来袭！ ...................................................................................1587.20　2D 转3D .............................................................................................1597.21　制片工艺的进化 ...................................................................................1597.22　展现未曾见过的世界 ............................................................................160第八章　掌握与控制 ......................................................................... 1618.1　谁会需要全自动？ .................................................................................1628.2　打倒自动曝光 ........................................................................................1628.3　“中国姑娘” ........................................................................................1658.4　驾驭波形图 ............................................................................................1668.5　考虑快门问题 ........................................................................................1678.6　同步快门 ................................................................................................1688.7　帧速率与故事的关系 ..............................................................................1698.8　聚焦在重要的对象上 ..............................................................................1708.9　这些人并不是演员 .................................................................................1708.10　分辨率越高对焦越难！ ........................................................................1718.11　跟焦 .....................................................................................................1738.12　故事的白平衡 ......................................................................................1748.13　到底用不用预置白平衡 ........................................................................1748.14　设置手动白平衡 ...................................................................................1768.15　不可理喻的自动白平衡 ........................................................................1778.16　自动黑平衡 ..........................................................................................1788.17　没有增益，就没有痛苦 ........................................................................1798.18　控制好噪点 ..........................................................................................1808.19　时码的沼泽地 ......................................................................................1818.20　串行数字接口与高清晰度多媒体接口 ..................................................1838.21　互连性与视频流 ...................................................................................1848.22　监看你的工作 ......................................................................................1858.23　更长时间的续航 ...................................................................................1868.24　驾驭杂乱的取景器 ...............................................................................1888.25　逐格摄影与延时摄影 ............................................................................1898.26　神奇的预录制功能 ...............................................................................1908.27　循环录制功能 ......................................................................................1918.28　在极端环境下进行拍摄 ........................................................................1918.29　拍摄狂热的生命和野生动物 .................................................................193第九章　调整拍摄的图像 ................................................................... 1959.1　开始创建自己的画面风格 ......................................................................1969.2　主消隐电平: 定义黑色 ...........................................................................1979.3　标清的遗产 ............................................................................................1989.4　了解你摄像机的动态范围 ......................................................................1989.5　设置伽马值 ............................................................................................1999.6　留意高光部分 ........................................................................................2009.7　自动拐点 ................................................................................................2009.8　控制色度 ................................................................................................2019.9　色彩矩阵 ................................................................................................2029.10　使用滤镜 ..............................................................................................2039.11　物理滤镜 ..............................................................................................2039.12　最后再考虑使用滤镜 ............................................................................2049.13　为任务量身打造 ...................................................................................2059.14　中密度滤镜（ND） ..............................................................................2059.15　偏光滤镜 ..............................................................................................2069.16　天空的控制 ..........................................................................................2079.17　高对比度的困惑 ...................................................................................2089.18　柔光滤镜 ..............................................................................................2099.19　CHRISTIAN DIOR 来帮忙 ....................................................................2129.20　遮光斗 .................................................................................................2129.21　如何叠加滤镜 ......................................................................................2149.22　暖色滤镜 ..............................................................................................2159.23　雾化滤镜 ..............................................................................................2159.24　后期制作 ..............................................................................................2159.25　根据需要选择后期插件 ........................................................................2169.26　颜色校正 ..............................................................................................2179.27　拍摄者要对自己负责！ ........................................................................219第十章　照亮你的故事 ...................................................................... 22110.1　由小见大 ..............................................................................................22210.2　拍摄者必须能独当一面 ........................................................................22410.3　LED 照明时代已经来临 ........................................................................22510.4　HMI 照明：昂贵但物有所值 ................................................................22710.5　荧光灯和绿光瘟疫 ...............................................................................22810.6　大范围柔光 ..........................................................................................23010.7　使用软光是关键 ...................................................................................23010.8　选择软光 ..............................................................................................23110.9　控制溢光 ..............................................................................................23210.10　柔光的艺术 ........................................................................................23210.11　色纸 ...................................................................................................23310.12　标准布光 ............................................................................................23410.13　正面和中间照明 .................................................................................23510.14　用好辅助光 ........................................................................................23510.15　机载照明灯 ........................................................................................23610.16　分层照明 ............................................................................................23710.17　给绿屏照明 ........................................................................................23710.18　绿屏为什么是绿色？ ..........................................................................23810.19　绿屏的替代品 ....................................................................................24010.20　照明控制 ............................................................................................24010.21　镂板 ...................................................................................................24110.22　束光筒 ...............................................................................................24210.23　固定工具 ............................................................................................24310.24　胶带 ...................................................................................................24310.25　百宝囊 ...............................................................................................24410.26　照明= 手艺+ 创意 ............................................................................245第十一章　支撑起你的故事 ............................................................... 24911.1　云台 .....................................................................................................25011.2　三脚架 .................................................................................................25311.3　其他摄像机支撑系统 ............................................................................25511.4　安装在任何地方 ...................................................................................26011.5　你拍故你在 ..........................................................................................260第十二章　聆听你的故事 ...................................................................26312.1　没有录音师？ ......................................................................................26412.2　录音建议 ..............................................................................................26412.3　差劲的连接= 差劲的声音 ....................................................................26512.4　平衡音频 ..............................................................................................26612.5　调音台 .................................................................................................26712.6　设置音频电平 ......................................................................................26812.7　麦克风 .................................................................................................26912.8　枪式麦克风（指向式麦克风） .............................................................26912.9　无线连接 ..............................................................................................27012.10　话筒挑杆 ............................................................................................27112.11　音频降噪 ............................................................................................27212.12　双系统录音：有必要吗？ ..................................................................27212.13　环绕声 ...............................................................................................27312.14　有时候“凑合”也不错 ......................................................................274第十三章　顺应潮流 .........................................................................27713.1　不再只有一种工作流程 ........................................................................27813.2　MXF 的前景 .........................................................................................27913.3　元数据之美 ..........................................................................................28013.4　现在我们不必那么担忧了 ....................................................................28113.5　SSD 的出现 .........................................................................................28213.6　代理视频与iPhone ..............................................................................28313.7　输出你的故事 ......................................................................................28413.8　DVD 的衰落 .........................................................................................28513.9　关注图像编码 ......................................................................................28613.10　编码器的性格 ....................................................................................28713.11　被诅咒的问题场景 .............................................................................28713.12　视频降噪势在必行 .............................................................................28813.13　了解编码模式 ....................................................................................28913.14　BLU-RAY 蓝光，还有谁？ ................................................................28913.15　来到云端 ............................................................................................29013.16　归档的挑战 ........................................................................................291后记　世上并没有“一键优化到最好”功能 .......................................... 2931. 谨慎对待炒作 .............................................................................................2942. 拒绝复杂 ....................................................................................................2953. 观影的未来 .................................................................................................2964. 变革已经到来 .............................................................................................2965. 这是个弱肉强食的世界 ...............................................................................297
内容简介:
《拍摄者》第3版中的新内容如下：
立体拍摄技术：拍摄和制作立体内容的基础知识，以简单集成式立体摄录一体机为主。
数码单反拍摄技术：如何让这种大传感器摄像机在尽可能少的代价下获取到zui好的图像。
后期图像调整，数字滤镜、稳定器。
输出节目为Web或DVD。
思考拍摄者的职业前景——如何鉴别和获取理想的工作，如何与自大狂合作。
问答和复习内容——在每章结束后加入问答和复习内容。
无论你使用的是复杂的4K摄影机、大尺寸传感器数码单反、还是iPhone，《拍摄者》第3版中的内容都会让你受益匪浅，它能帮你把自己的设备性能zui大化，并提升你的故事讲述技巧。
作者简介:
作者BARRY BRAVERMAN是一位有着30多年电视纪录片和电影故事片拍摄经验的老牌摄影师。他的作品包括韦斯?安德森的《月升王国》（2012）、《穿越大吉岭》（2007）、国家地理频道的专题片、HBO“抢先看”和CBS星期天早新闻等。他同时也是好莱坞电影摄影师公会会员，并在世界各地举办2D和3D拍摄研讨会。他现在居住在美国加州斯蒂迪奥城。
目录:
第一章　拍摄者的视角 .......................................................................... 11.1　观点 ...........................................................................................................21.2　不再追逐彩虹 ............................................................................................31.3　学会身兼数职 ............................................................................................41.4　掌握专业技能 ............................................................................................61.5　新观念 .......................................................................................................81.6　现在人人都是拍摄者 ..................................................................................81.7　雇用你的客户 ............................................................................................91.8　你已经拥有足够的能力 ............................................................................10第二章　让我给你讲个故事 .................................................................. 112.1　如何才能把故事讲好？ ............................................................................132.2　清楚自己影片的类型并确保观众们也知道 ...............................................132.3　你的海报什么样？ ...................................................................................152.4　了解自己的海报简述文字 ........................................................................162.5　积极面对条件限制 ...................................................................................172.6　电影成功的原因各异 ................................................................................182.7　你的相对优势 ..........................................................................................182.8　限制你的取景 ..........................................................................................192.9　了解自己摄影机的动态范围 .....................................................................202.10　在魔幻时刻拍摄 .....................................................................................212.11　真实性很重要 ........................................................................................212.12　故事永不停歇 ........................................................................................222.13　职业道德很重要 .....................................................................................23第三章　用镜头讲故事 ....................................................................... 253.1　现在对作品的要求仍然很高 .....................................................................253.2　给世界加个框 ..........................................................................................263.3　排除，排除，排除！ ................................................................................273.4　让观众们受点儿苦 ...................................................................................283.5　独特的视角 ..............................................................................................323.6　模糊、隐藏和遮挡 ...................................................................................333.7　关于透视 ..................................................................................................343.8　箱式梁桥 ..................................................................................................363.9　三分法 .....................................................................................................373.10　黄金画幅比 ............................................................................................393.11　引起不适 ................................................................................................393.12　拍摄的地方是什么类型？ ......................................................................403.13　拥抱经典理论 ........................................................................................413.14　手艺很重要 ............................................................................................433.15　用特写讲故事 ........................................................................................443.16　迂回出击 ................................................................................................463.17　保持拍摄尺寸一致性 ..............................................................................463.18　视线的力量 ............................................................................................473.19　拍摄不完美的对象 .................................................................................483.20　故事里的故事 ........................................................................................493.21　学会用背景讲故事 .................................................................................503.22　我们都是说谎的骗子 ..............................................................................513.23　弄清楚自己想要什么 ..............................................................................523.24　与极端自我的人一起工作 ......................................................................54第四章　摄影师的工具箱 .................................................................... 574.1　你有很多选择 ..........................................................................................574.2　摄像机的变革 ..........................................................................................584.3　扫描方式的选择 .......................................................................................614.4　2K、4K，以及更高的分辨率 ....................................................................634.5　努力突破技术局限 ...................................................................................644.6　了解你需要的知识 ...................................................................................654.7　技术问题当然重要 ...................................................................................664.8　世界的本质 ..............................................................................................664.9　脑中的处理器 ..........................................................................................674.10　让我们体验一下模拟 ..............................................................................674.11　改善数字记录的质量 ..............................................................................684.12　一些小知识 ............................................................................................694.13　10-bit 工作流程 ....................................................................................714.14　你的摄影机符合“10 分钟法则”吗？ ...................................................754.15　了解传感器 ............................................................................................774.16　在某种程度上，传感器尺寸很重要 ........................................................784.17　分辨率的诡计 ........................................................................................794.18　人类感知分辨率的极限 ..........................................................................814.19　这种数字游戏接近尾声了吗？ ...............................................................814.20　网格里的像素 ........................................................................................824.21　三片式传感器VS 单片式传感器 .............................................................834.22　为什么要压缩？ .....................................................................................844.23　出于实际考虑 ........................................................................................854.24　冗余，冗余 ............................................................................................864.25　你不会错过那些你看不见的东西 ............................................................874.26　帧间压缩与帧内压缩 ..............................................................................884.27　选择帧速率 ............................................................................................904.28　为什么帧频有些不靠谱—是24p 但又不是24p ..................................914.29　24p 的种种好处 .....................................................................................934.30　现在你能拍摄24p 了 .............................................................................934.31　如果你依然喜欢SD 标清 .......................................................................954.32　注意了，落伍者们！ ..............................................................................954.33　曾几何时 ................................................................................................96第五章　用数码单反DSLR 讲故事 ...................................................... 995.1　性能的问题 ..............................................................................................995.2　它并不是摄像机 .....................................................................................1005.3　不只是低光照能力 .................................................................................1005.4　负荷削减 ................................................................................................1015.5　参数设置 ................................................................................................1035.6　果冻效应 ................................................................................................1045.7　浅景深：是好事还是坏事？ ...................................................................1055.8　操控方面的挑战 .....................................................................................1065.9　监看与回放 ............................................................................................1075.10　声音功能不健全 ...................................................................................1085.11　开始工作 ..............................................................................................110第六章　观察世界的窗口 ................................................................... 1136.1　控制画面空间 ........................................................................................1146.2　是否需要讨好拍摄对象 ..........................................................................1156.3　把创作工具用到极致 ..............................................................................1156.4　推拉变焦拍摄 ........................................................................................1176.5　警惕可疑的标称值 .................................................................................1186.6　光学变焦VS 数码变焦 ...........................................................................1206.7　更广、更远 ............................................................................................1216.8　低档镜头的现状 .....................................................................................1226.9　为何廉价的镜头看起来档次低？ ............................................................1246.10　对小光孔说不 ......................................................................................1256.11　为什么一体式摄像机通常能拍出更好的画面 ........................................1256.12　色像差补偿 ..........................................................................................1266.13　试着和你的普通镜头和平相处 .............................................................1266.14　找到镜头的最佳性能区间 ....................................................................1276.15　不靠谱的对焦环和变焦环 ....................................................................1296.16　电影镜头 ..............................................................................................1296.17　诱惑力和纠结的根源 ............................................................................1306.18　过大的景深 ..........................................................................................1306.19　镜头适配器 ..........................................................................................132第七章　立体拍摄者 ......................................................................... 1337.1　3D 立体的本质 .......................................................................................1337.2　立体是一种技术障眼法 ..........................................................................1357.3　深度线索 ................................................................................................1367.4　平面视觉深度线索 .................................................................................1377.5　立体视觉深度线索 .................................................................................1397.6　轴距VS 瞳距 .........................................................................................1417.7　汇聚面应该设置在哪儿？ ......................................................................1437.8　立体摄像机设置 .....................................................................................1457.9　避免“耐药性”问题 ..............................................................................1467.10　屏幕尺寸至关重要 ...............................................................................1487.11　正确获得视差 ......................................................................................1497.12　窗口干涉 ..............................................................................................1507.13　关于立体故事的思考 ............................................................................1507.14　圆度因素 ..............................................................................................1517.15　抛弃极端的2D 拍摄方式 .....................................................................1527.16　裸眼立体是大势所趋 ............................................................................1547.17　立体就此止步了吗？ ............................................................................1557.18　立体的后期制作与输出 ........................................................................1567.19　立体再次来袭！ ...................................................................................1587.20　2D 转3D .............................................................................................1597.21　制片工艺的进化 ...................................................................................1597.22　展现未曾见过的世界 ............................................................................160第八章　掌握与控制 ......................................................................... 1618.1　谁会需要全自动？ .................................................................................1628.2　打倒自动曝光 ........................................................................................1628.3　“中国姑娘” ........................................................................................1658.4　驾驭波形图 ............................................................................................1668.5　考虑快门问题 ........................................................................................1678.6　同步快门 ................................................................................................1688.7　帧速率与故事的关系 ..............................................................................1698.8　聚焦在重要的对象上 ..............................................................................1708.9　这些人并不是演员 .................................................................................1708.10　分辨率越高对焦越难！ ........................................................................1718.11　跟焦 .....................................................................................................1738.12　故事的白平衡 ......................................................................................1748.13　到底用不用预置白平衡 ........................................................................1748.14　设置手动白平衡 ...................................................................................1768.15　不可理喻的自动白平衡 ........................................................................1778.16　自动黑平衡 ..........................................................................................1788.17　没有增益，就没有痛苦 ........................................................................1798.18　控制好噪点 ..........................................................................................1808.19　时码的沼泽地 ......................................................................................1818.20　串行数字接口与高清晰度多媒体接口 ..................................................1838.21　互连性与视频流 ...................................................................................1848.22　监看你的工作 ......................................................................................1858.23　更长时间的续航 ...................................................................................1868.24　驾驭杂乱的取景器 ...............................................................................1888.25　逐格摄影与延时摄影 ............................................................................1898.26　神奇的预录制功能 ...............................................................................1908.27　循环录制功能 ......................................................................................1918.28　在极端环境下进行拍摄 ........................................................................1918.29　拍摄狂热的生命和野生动物 .................................................................193第九章　调整拍摄的图像 ................................................................... 1959.1　开始创建自己的画面风格 ......................................................................1969.2　主消隐电平: 定义黑色 ...........................................................................1979.3　标清的遗产 ............................................................................................1989.4　了解你摄像机的动态范围 ......................................................................1989.5　设置伽马值 ............................................................................................1999.6　留意高光部分 ........................................................................................2009.7　自动拐点 ................................................................................................2009.8　控制色度 ................................................................................................2019.9　色彩矩阵 ................................................................................................2029.10　使用滤镜 ..............................................................................................2039.11　物理滤镜 ..............................................................................................2039.12　最后再考虑使用滤镜 ............................................................................2049.13　为任务量身打造 ...................................................................................2059.14　中密度滤镜（ND） ..............................................................................2059.15　偏光滤镜 ..............................................................................................2069.16　天空的控制 ..........................................................................................2079.17　高对比度的困惑 ...................................................................................2089.18　柔光滤镜 ..............................................................................................2099.19　CHRISTIAN DIOR 来帮忙 ....................................................................2129.20　遮光斗 .................................................................................................2129.21　如何叠加滤镜 ......................................................................................2149.22　暖色滤镜 ..............................................................................................2159.23　雾化滤镜 ..............................................................................................2159.24　后期制作 ..............................................................................................2159.25　根据需要选择后期插件 ........................................................................2169.26　颜色校正 ..............................................................................................2179.27　拍摄者要对自己负责！ ........................................................................219第十章　照亮你的故事 ...................................................................... 22110.1　由小见大 ..............................................................................................22210.2　拍摄者必须能独当一面 ........................................................................22410.3　LED 照明时代已经来临 ........................................................................22510.4　HMI 照明：昂贵但物有所值 ................................................................22710.5　荧光灯和绿光瘟疫 ...............................................................................22810.6　大范围柔光 ..........................................................................................23010.7　使用软光是关键 ...................................................................................23010.8　选择软光 ..............................................................................................23110.9　控制溢光 ..............................................................................................23210.10　柔光的艺术 ........................................................................................23210.11　色纸 ...................................................................................................23310.12　标准布光 ............................................................................................23410.13　正面和中间照明 .................................................................................23510.14　用好辅助光 ........................................................................................23510.15　机载照明灯 ........................................................................................23610.16　分层照明 ............................................................................................23710.17　给绿屏照明 ........................................................................................23710.18　绿屏为什么是绿色？ ..........................................................................23810.19　绿屏的替代品 ....................................................................................24010.20　照明控制 ............................................................................................24010.21　镂板 ...................................................................................................24110.22　束光筒 ...............................................................................................24210.23　固定工具 ............................................................................................24310.24　胶带 ...................................................................................................24310.25　百宝囊 ...............................................................................................24410.26　照明= 手艺+ 创意 ............................................................................245第十一章　支撑起你的故事 ............................................................... 24911.1　云台 .....................................................................................................25011.2　三脚架 .................................................................................................25311.3　其他摄像机支撑系统 ............................................................................25511.4　安装在任何地方 ...................................................................................26011.5　你拍故你在 ..........................................................................................260第十二章　聆听你的故事 ...................................................................26312.1　没有录音师？ ......................................................................................26412.2　录音建议 ..............................................................................................26412.3　差劲的连接= 差劲的声音 ....................................................................26512.4　平衡音频 ..............................................................................................26612.5　调音台 .................................................................................................26712.6　设置音频电平 ......................................................................................26812.7　麦克风 .................................................................................................26912.8　枪式麦克风（指向式麦克风） .............................................................26912.9　无线连接 ..............................................................................................27012.10　话筒挑杆 ............................................................................................27112.11　音频降噪 ............................................................................................27212.12　双系统录音：有必要吗？ ..................................................................27212.13　环绕声 ...............................................................................................27312.14　有时候“凑合”也不错 ......................................................................274第十三章　顺应潮流 .........................................................................27713.1　不再只有一种工作流程 ........................................................................27813.2　MXF 的前景 .........................................................................................27913.3　元数据之美 ..........................................................................................28013.4　现在我们不必那么担忧了 ....................................................................28113.5　SSD 的出现 .........................................................................................28213.6　代理视频与iPhone ..............................................................................28313.7　输出你的故事 ......................................................................................28413.8　DVD 的衰落 .........................................................................................28513.9　关注图像编码 ......................................................................................28613.10　编码器的性格 ....................................................................................28713.11　被诅咒的问题场景 .............................................................................28713.12　视频降噪势在必行 .............................................................................28813.13　了解编码模式 ....................................................................................28913.14　BLU-RAY 蓝光，还有谁？ ................................................................28913.15　来到云端 ............................................................................................29013.16　归档的挑战 ........................................................................................291后记　世上并没有“一键优化到最好”功能 .......................................... 2931. 谨慎对待炒作 .............................................................................................2942. 拒绝复杂 ....................................................................................................2953. 观影的未来 .................................................................................................2964. 变革已经到来 .............................................................................................2965. 这是个弱肉强食的世界 ...............................................................................297

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拍摄者（第3版）用摄像机讲故事

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