Lynd Ward: Prelude to a Million Years Song Without Words V

Lynd Ward: Prelude to a Million Years Song Without Words V
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作者: ,
出版社: Library of America
2010-10
ISBN: 9781598530810
定价: 261.60
装帧: 精装
开本: 其他
页数: 690页
正文语种: 英语
  • In this, the second of two volumes collecting all his woodcut novels, The Library of America brings together Ward's three later books, two of them brief, the visual equivalent of chamber music, the other his longest, a symphony in three movements. Prelude to a Million Years (1933) is a dark meditation on art, inspiration, and the disparity between the ideal and the real. Song Without Words (1936), a protest against the rise of European fascism, asks if ours is a world still fit for the human soul. Vertigo (1937), Ward's undisputed masterpiece, is an epic novel on the theme of the individual caught in the downward spiral of a sinking American economy. Its characters include a young violinist, her luckless fiancé, and an elderly business magnate who—movingly, and without ever becoming a political caricature—embodies the social forces determining their fate. The images reproduced in this volume are taken from prints pulled from the original woodblocks or first-generation electrotypes. Ward's novels are presented, for the first time since the 1930s, in the format that the artist intended, one image per right-hand page, and are followed by four essays in which he discusses the technical challenges of his craft. Art Spiegelman contributes an introductory essay, "Reading Pictures," that defines Ward's towering achievement in that most demanding of graphic-story forms, the wordless novel in woodcuts. Art Spiegelman is a cartoonist who first came to attention in the early 1980s as editor of the magazine Raw. His books include the Pulitzer Prize-winning Holocaust story Maus, Maus II, and In the Shadow of No Towers. He lives in New York City with his wife and two children.
  • 内容简介:
    In this, the second of two volumes collecting all his woodcut novels, The Library of America brings together Ward's three later books, two of them brief, the visual equivalent of chamber music, the other his longest, a symphony in three movements. Prelude to a Million Years (1933) is a dark meditation on art, inspiration, and the disparity between the ideal and the real. Song Without Words (1936), a protest against the rise of European fascism, asks if ours is a world still fit for the human soul. Vertigo (1937), Ward's undisputed masterpiece, is an epic novel on the theme of the individual caught in the downward spiral of a sinking American economy. Its characters include a young violinist, her luckless fiancé, and an elderly business magnate who—movingly, and without ever becoming a political caricature—embodies the social forces determining their fate. The images reproduced in this volume are taken from prints pulled from the original woodblocks or first-generation electrotypes. Ward's novels are presented, for the first time since the 1930s, in the format that the artist intended, one image per right-hand page, and are followed by four essays in which he discusses the technical challenges of his craft. Art Spiegelman contributes an introductory essay, "Reading Pictures," that defines Ward's towering achievement in that most demanding of graphic-story forms, the wordless novel in woodcuts.
  • 作者简介:
    Art Spiegelman is a cartoonist who first came to attention in the early 1980s as editor of the magazine Raw. His books include the Pulitzer Prize-winning Holocaust story Maus, Maus II, and In the Shadow of No Towers. He lives in New York City with his wife and two children.
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